The greatest challenge we faced was scoping the final product. With the ideal system being capable of presenting itself with the grandeur of a mechanical art piece emulating the unfathomable beauty and complexity of a ubiquitous event. We initially designed a display with 60 concentric rings encased within a 2 foot diameter housing which would contain all of the electrical components and hopefully muffle any unwanted noise that would distract the listener from the analog synthesizer. As the project moved forward, we began to blend our imitation with the promise of greater flexibility for the sake of visual appeal. This resulted in a system that required 4 sets of 16 servos each responsible for a quarter of a ring, as well as the ring directly above and below through a 1:1 gear ratio positioned slightly offset with to one another in order to smoothen out the wave and simulate 60 rings while only comprising of 20 independently controlled rings. Issues began to arise when the cost of this large scale system came into play. Although possible, 64 servos would have been the entirety of our budget while still requiring an adequate power supply along with the necessary number of Arduinos to control them. During the final sprint of our project it was decided that for simplicity's sake we would limit ourselves to 12 servos and have them each responsible for controlling one camshaft that would evenly raise two Delrin rails up and down. The mirrored acrylic rings would be connected to these rails and allow for the undulating motion to be displayed resembling rippling water. The final product was an icositetrahedron prism two feet in diameter and over one and a half feet in height. The lids and outer walls, which were responsible for positioning the servos, the shafts, and the rails, were made up of quarter inch thick plywood that was laser cut to specifications. In addition to being structurally sound, the aspect of symmetry was incorporated into all of the design elements in order to maintain a unique but simple aesthetic while allowing for a high degree of versatility with the final fabrication process. The cam shaft rails were laser cut out of Delrin in order to prevent the warping and flexing prevalent in woods and acrylics. Cams were 3d printed and the shafts upon which they were mounted were made of threaded, quarter inch, galvanized steel, for rigidity and lack of linear deviation (straightness).